Sunday, May 7, 2023
7:30pm doors / 8pm sound
Tickets $20 (discounted or free for members)
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John Duncan (Wichita, Kansas 1953) is a pioneer of performance art, installations, video and experimental audio who has lived and worked in Los Angeles, Tokyo, Amsterdam and northern Italy. His many releases are acclaimed by critics and composers as benchmarks of experimental music.
Schneider TM is a multidimensional music project of Dirk Dresselhaus, named after his nickname Schneider, which oscillates extensively between adventurous electronic pop-music and experimental, sometimes improvised freeform music, while occasionally bringing these and other opposing elements together.
Scot Jenerik (born 1964) is a multidisciplinary artist/instrumentalist, instrument builder, composer and sound engineer. He has performed, lectured and distributed works extensively in the United States, Europe and Japan for over 30 years. Combining elements of Kodo drumming, drone and noise, Jenerik transfers the intensity of physical performance into a throbbing soundscape of rhythms, drones and direct elemental contact.
Chandra Shukla (born Vivek Chandra Shukla 1975 Alameda, California) is an experimental/avant-garde musician interested in audio, video, live performances, and graphic design. His history stems from learning Indian Classical Music by learning tabla from the likes of Pandit Swapan Chaudhuri and sitar from Pandit Habib Khan. Xambuca is his main, sometimes instrumental and electro-acoustic music project with synths, guitar, samplers, sitar and vocals.
Thomas Dimuzio is a musician, composer, improviser, sound designer, mastering engineer, label proprietor, and music technologist residing in San Francisco, California. Dimuzio's music is like a sonic excursion transporting the listener to other worldly aural realms. “His work has a narrative, filmic tug that will draw you into its dark corners, ears alert… brilliant and rarely less than entertaining.” – Peter Marsh, BBC.
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Earlier Event: May 6
Bill Orcutt Guitar Quartet
Later Event: May 18
Asher Hartman: It's Better to Start Out Ugly